"Her Majesty's Secret Servant" / Spring 1997
BENSON: Yes. It will be released simultaneously with the film.

HMSS: Why do you think people respond to James Bond?

BENSON: I think that in the old days, it was because there was nothing like him. Cinematically, people responded to Sean Connery, and the glitz and glamour, and the "coolness" factor. Today I think it's more...just entertainment. But reliable, brand-name entertainment. The younger crowd, who didn't grow up with Bond, as we all did, probably don't get the same kick.

HMSS: Is James Bond a "smart" guy?

BENSON: Absolutley. He's very clever. Sharp, and quick on his feet. As far as formal education goes, no, he was probably a bad student. I think he's a survivor who really knows how to survive. He's not a great detective, but he's extremely worldly. He also has a very high threshold of pain which adds to his success. He's a machine; an animal. (Laughs.) Fleming referred to him as a "blunt instrument."

HMSS: Obviously, you are a fan of the James Bond novels and films. What else is Raymond Benson a fan of?

BENSON: Many things. Music, films, books...we could talk all night about that. I like Stanley Kubrick. He's my favorite director. I like Woody Allen; Hitchcock; Bergman; Truffaut; Scorsese. I love the Marx Brothers; Monty Python; Charlie Chaplin. As far as music goes, the Beatles are probably my favorite. (Kind of makes sense - Bond and the Beatles). Also, I'm a big fan of what's referred to as the "Canterbury School" of rock music, which came out of Canterbury, England in the late '60's and early '70's. It has a fairly big underground following, though not a lot of people may have heard of it. It includes bands like Soft Machine, Hatfield and the North, Caravan, National Health, Robert Wyatt, and many others.

I've always been musical and responded to music. It was in college that I really began expanding my musical tastes. Of course, "altering my consciousness" back in the early '70's also helped (laughs). I don't do that anymore, by the way. I really like all kinds of music. From "Progressive Rock" of the '70's to New Age to Country and Western today.

HMSS: Is James Bond a fan of music?

BENSON: Not really. John Gardner tried to make him a jazz fan. And I'm not sure how that worked. Fleming never gave much clue as to what Bond listened to. Leiter was a big jazz fan. I may stick with the jazz thing; it doesn't not make sense.

HMSS: Ian Fleming was known to undergo a fairly regimented routine when writing the Bond novels. What's your routine when writing?

BENSON: Oh my God...well...I'll use "Zero Minus Ten" as an example. I have a day job, and so I'd get up at 6:30 to be there by 8:00. I'd be there till 5:00 or so, come home, have dinner with my family, spend some time with my son, and then, starting around 9:00 PM, I would write in my home office until 11:00 or 12:00. Sometimes later. Then, on weekends, I'd try to write five or six hours every day. I've always been a "routine" kind of guy. Disciplined. I don't have to force myself. It all came to me pretty well.

HMSS: Is there anything to make it easier for you to write, in terms of environment?

BENSON: I like to write to music, if I can. I could put on any kind of music. I could put on Jethro Tull; classical; really anything. I could put on Bond music. Jimi Hendrix. You name it.

HMSS: What's your favorite Bond novel?

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